She Did Not Close Her Knees — Betty Sullivan


A Betty Sullivan Explorer

She did not close her knees.

A hallway, a leaking bucket, two mouths that will not take turns being kind — and the late-1700s dates she recites so she does not have to ask.

Atlanta night · Mutual, not fair · First person

The ice had already soaked the cheap liner.

Water found the inside of my wrist, then the crease of my elbow, then the dress I had put on to look like a woman with an errand and not a woman who stops in hallways. My key was in my lock. Their door had not finished being a door.

She was on her back at the foot of the bed. One red heel still hooked. The other shoe lay under the desk chair on its side, strap twisted, as if it had given up first. His head was between her thighs. I could see the wet of her on his mouth when he turned a fraction for air. Dark. Slick. The kind of shine that is not lighting. She had her fingers in his hair hard enough that the knuckles went pale. She looked at the ceiling. Then she looked at me.

She did not close her knees.

The hallway smelled like carpet glue and someone else’s room-service gravy and the cold metal of the ice machine two doors down. Their room smelled past her — hotel soap trying to be lemon, skin, the iron-and-salt of a cunt that has been worked past manners. The air-conditioning in there was too high. I knew because her nipples were tight and there was gooseflesh on the inside of her thigh where his cheek had left her wet to the cold.

I should have gone in. I should have shut my door. I stood there with the bucket sweating down my arm and my mouth already open like I had been invited to speak.

1789. Dates. Rights. Man and citizen. Liberty, property, security. A nervous habit, like checking a deadbolt twice.

I heard myself think it because that is the twitch. I do it when I want something I have not been told I can have. The Declaration does not make a wet woman smaller. It just gives my pulse somewhere else to land.

She made a sound that was not pretty. Low. Caught. She pulled his hair and lifted her hips into his mouth and I watched his jaw work. The wet sound carried. Soft, then not. A little filthy slap when he used his tongue too flat and corrected. Her standing leg — the one with the heel — trembled and the shoe made a tiny tick against the bedframe. I felt that tick in my own cunt like a stupid telegraph.

Olympe, 1791. Woman on the scaffold, woman on the rostrum. Copper in the cheek. Mint from the elevator.

I bit the inside of my cheek to keep from saying it out loud. The copper taste mixed with the mint I had chewed in the elevator, cheap and too sweet. My dress was sticking to my stomach where the ice water had reached. I wanted his mouth. I wanted her eyes to stay on me while he ruined her. I wanted someone to tell me to put the bucket down and get on my knees in a hallway that was not built for kneeling.

She pulled him up by the hair. His mouth was shining. She kissed him and I watched her lick herself off his lower lip like it was an argument she intended to win. Then she turned him. His back filled the slice of light — shoulder blades, the ugly hotel art above the bed, the pale strip of skin where his shirt had ridden. She went over his hip. Her hair fell across his stomach. I saw her take him in, not all at once, the stretch of her mouth, the wet click when she adjusted, the way her throat worked when she decided she would.

That is the number. The invert. The thing I like more than I like most conversations.

6 9

Six. Nine. Two mouths that do not get to take turns being kind.

I have wanted that position the way some people want a city. Not because it is a joke and not because it looks like a digit. Because I can feel a man go heavy on my tongue while his mouth opens me and I do not get to pretend I am only generous. The lie dies. You drool. You lose the pretty angle. Your neck pays. You taste yourself on him when you come up for air and it is not poetry, it is salt and slick and the faint soap he thinks hides him.

She worked him with her mouth and he found her again from below, clumsier now, hungrier, the rhythm broken on purpose. I could see her cunt, swollen, gleaming, his fingers spreading her so he could lick where she was already too much. She made a raw sound around him. He answered into her. The room participated: the too-cold air on wet skin, the drone of the ice machine like a cheap organ, the carpet under my bare heel — I had come out in one shoe, I realized, which is a special kind of idiot. Cold synthetic pile. A crumb of something fried.

1791, the twitch said. Code that does not name prostitution. Does not name sodomy. Silence that people call equality if they need the word.

July still has morals on the street if they want you. I whispered none of it. I let the dates knock around behind my teeth while I watched her spit-slick him and take him deeper, her nose against his groin, her hand on his hip to keep him from fucking her throat too stupid.

Palais-Royal. I get that one when I am looking and calling it looking. Gardens. Arcades. Police not allowed into the prince’s enclosure until the late eighties, or eighty-nine, depending who is tidying the story. Prints and girls and the chit-chit from a window. They named it Equality Palace after the king was gone. A name on a building. The rooms above the shops did not become kind.

She came first, or she came in the middle — I could not parse it from a hallway. Her thighs clamped. Her mouth came off him with a wet gasp and a string of spit that caught the light like something rude and expensive. She put him back in before she had finished shaking. That is the part that undoes me. Not the coming. The staying in the number when the body wants to be only one thing.

My own underwear was a problem. Slick, cooled by the hall air, then warm again when I shifted my weight. I could smell myself under the ice-water and the gravy and the lemon soap drifting out of their room. Dissonant and exact. I pressed my thighs together and it did nothing except make me aware of the seam.

Théroigne did not write it. A hell of a thing to tell yourself while a woman is swallowing a man six feet from your key.

The pamphlet. Catéchisme libertin. Someone put her name on it because the name was already ruined enough to sell. Widow Gourdan on the imprint, a madam already dead. I have looked for soixante-neuf in that text and not found the digits. I found gamahucheurs in a fake litany, mouth-men listed with saints, which is closer to what I was watching than any declaration.

He finished with his hand on the back of her head. Not gentle. She took it. I heard him. I saw her throat. A little of him escaped the corner of her mouth and she wiped it with her thumb and put the thumb in her mouth without theatre. Then she looked at the door again.

I could have stepped in. The carpet would have announced me. The ice would have sloshed. I could have said don’t stop or tell me what to do or nothing, just gone to my knees at the edge of their invert and waited to be used as a third mouth, a pair of eyes, a wet witness.

I picked up the bucket. Water down the front of the dress, cold enough to make my nipples show through the fabric like I was trying to join their weather. I got the key to turn. I did not look long enough to see if she smiled. That is the coward’s crop. I took it.

Inside, the deadbolt stayed off. I put the bucket in the sink and it rang like cheap metal. I ran the tap and did not drink. My one shoe squelched. I peeled the wet dress off and it slapped the tile. The bathroom was too nice for what my body was doing — fake marble, a fan that ticked, light the color of skim milk. I sat on the closed lid and put my hand between my legs because the taste I wanted was in the other room and I am not above a substitute.

I was soaked. Swollen. The kind of slick that makes a sound. I thought of her mouth on him and his mouth on her and the way mutual is the wrong word — it is not fair, it is simultaneous, and if you pause to be virtuous you drop someone out of their pleasure. That is why it is my favorite. I like being guided in it. I like the moment my jaw aches and I do not get to be precious. I like walking out after with the iron-and-salt still arguing with whatever I put on my mouth in the morning.

Two fingers. Then three, because I was already past polite. The tile was cold under my ass. My wrist smelled like the ice machine. I came with my other hand over my mouth so I would not make their sound, which is a stupid vanity. After, I licked my fingers because I am my own nervous habit when the dates run out.

I left the deadbolt off. I lay down the wrong way on the bed, head toward the footboard, as if the furniture might finish the number. It did not. The hall went quiet enough that I could have been wrong about all of it. I was not wrong. I could still taste copper from my cheek and the ghost of her room on my tongue, lemon soap and cunt and the particular heat of a man who has just been taken while he took.

In the morning their door was shut. I took the empty bucket back to the machine. I did not knock. The wanting had not spent itself on 1789 or 1791 or a false name on a primer. It was still there, low in the belly, like a key that never found the rest of the lock.

Equality, in that decade, is a word they hung on palaces and papers. Men got a declaration. Women got a scaffold and a pamphlet signed by someone who did not write it. Sex dropped out of a code and stayed in the police blotter. I can recite that until my mouth is dry. It is what I do instead of asking. The bodies in the other room did not need the recitation. They had already inverted and stayed. I went home to my own tile and my own hand and the drip of ice water drying in a ring on the carpet, and that was the whole of my citizenship for one night.

On the history she hides in. 1789 names man and citizen. Olympe de Gouges’s 1791 declaration is real; her execution in 1793 is real. The 1791 penal code’s silence on prostitution and sodomy is real; so is continued policing. Palais-Royal as Orléans enclave is well attested; the exact month royal police gained entry is fuzzy. Catéchisme libertin is a real pamphlet; the Théroigne attribution is widely treated as false. The digits soixante-neuf were not found in that text.